March 17th, 2009
A couple weeks ago, I played with Shaimus at the CD release party for our new album, The Sad Thing Is, We Like It Here. The show was great fun—sold out crowd, solid performance, giveaways, videos, and plenty of other good stuff. But above all, it was a celebration marking the culmination of well over a year of hard work.
When all is said and done, this album was about three years in the making. The earliest songs were written and honed during our 2006 summer West Coast tour, including “Turn the Other Way,” “Interview,” and embryonic versions of “Don’t Want the Story” and “While We’re Young.” “Heads or Tails” was written during a time when Phil, Johannes and I were playing acoustic shows in L.A. while Dave and Cam finished up school on the other side of the country. “Tie You Down” was a last second addition that practically didn’t even make it on the album, and recording was pushed back a couple weeks just so we could finish it; good thing, too, as that turned out to be one of the best and most popular songs on the record.
That was around late October/early November of 2007. We tracked all of Cam’s drums in our old Van Nuys rehearsal space that December; imagine his impatience having recorded almost all of his parts over a year before the album would even come out. We followed this with laying down roughly finished versions of five of the strongest tracks which would be used for our demo. Our demo was sorely in need of an update, since the band’s sound had developed so much from our first album that it didn’t accurately represent us anymore. These new songs were far more illustrative of the “Shaimus sound” as it had come to be over the past couple years—a more cohesive, collaborative band effort with more energy and focus than Paper Sun (not to say there isn’t good material on that CD).
We took a brief break from recording after that. Trying to throw high-quality recordings together at a breakneck pace while contending with often-miserable day jobs was very taxing on all of us. During this break, we made a music video for “Turn the Other Way” with Adam Kerpelman. Not only did we feel like the song was a good choice for a single, but its theme of 9 to 5 frustration resonated with all of us. Oh, and of course it gave us an awesome excuse to smash the shit out of some office equipment.
Once summer 2008 rolled around we were antsy to finish what we’d started. We finished up guitars for the remaining five songs in our new West L.A. rehearsal space, recorded real piano in some recording studios to replace the samples that were used on the demo, and got final takes of all vocals, auxiliary percussion, and other odds and ends (mostly recorded in bedroom closets). Finally, Johannes busted his ass mixing the entire thing after it was all edited properly, Phil put the final touches on the artwork, we sent it off to get mastered and replicated, and then sat back and breathed a giant, collective sigh of relief. Oh, and Phil made a music video with a Powershot camera in his underwear.
This album represents a lot of blood, sweat, tears and calluses, and I think it turned out great. It’s certainly the best thing I’ve been a part of musically, and I put so much of myself into it that I can’t help but be nothing but proud. So, get more of a sense of the process of making this record with the next video, take a listen to the samples below and consider buying it. Now is the time for us to spread the word about all our hard work, and you can help!
Available from www.shaimus.com
Also available on ![]()







March 17th, 2009 at 11:30 am
And don’t forget you did an exhilerating five question interview about the band and the new album on some bozo’s site; http://kevinmcguire.blogspot.com/2009/02/five-questions-with-shaimus-guitarist.html
March 18th, 2009 at 7:21 pm
So, I bought the digital album on Amazon.com about a month ago and I have been meaning to e-mail you a review, but it’s probably better to post it here anyway.
Having known you for about 20 years now, I may be a bit biased, but to be honest, I usually feel weird listening to works of art composed by friends. I’m not sure why - maybe I’m trying too hard to decide whether it’s actually good or if I want to believe it’s good because I know someone involved in the effort.
With this album, there’s no feeling of that at all because the whole thing just flat out kicks ass. Everything about this album, from the songwriting, to the lyrics, to the production and engineering, is the perfect evolution from Paper Sun. The basic elements that made people love Paper Sun are still there, but they have been updated and improved upon as a band. Everything feels much tighter and has consistently higher band energy than the tracks on Paper Sun. I was actually surprised to watch the “Making Of” video and learn how the different parts were recorded at different times in many different venues. The whole album has a great organic, live feeling to it.
I think the best part of the album though is the way it grows on you the more you listen to it. Every time I listen to it, I find a guitar layer I hadn’t heard before or a great lyric line I missed. Take, for instance, the sick guitar part from 5:26-6:00 in “While We’re Young” that I just discovered while writing this review.
I am certainly appreciative of all the time and effort put into making the album as it has resulted in a product that is easily one of the best albums I have heard in the past couple of years.
Keep on rockin’ and hopefully I can catch another show soon.
P.S. I deleted my Facebook account because my laptop was stolen at PHL and like a jackass, I didn’t have it password protected. So, I’m trying to keep personal information off the Internet for a while so I don’t end up “buying” a bunch of flat screen TVs and yachts.
March 20th, 2009 at 12:04 pm
Thanks so much for that amazing review. It means a lot to us when someone is so on board with what we are doing and really “gets” it as you seem to.